October 28, 2011 at 9:49 am , by Ron Kelly
In this month’s installment of her Nashville Diaries, Margaret finds herself so close to releasing her first full-length CD that she can taste it, which leads her to reflect on the musical and personal changes she’s gone through over the past four years. Be sure to read on after the jump to find out how you can ask Margaret a question and maybe have her answer it (complete with a shout-out!) in our next video entry of the Diaries! Plus, you’ll get a fun sneak-peak video of the upcoming album, too.
It was November 20, 2007, when I met Tommy Mottola for the first time. I had my hair styled and my outfit picked out waaaay in advance of the meeting, and I felt confident in the one original song (titled titled “One Way Love”) that I’d submitted to him. As soon as I set foot in his office I started to tremble but I was determined not to blow my big shot. Seeing all the platinum records hanging on the wall and the album covers of music legends that were displayed everywhere, I felt like I could someday be one of those artists. Tommy was very hospitable but, come on, the guy is one of the subjects of a book titled Hit Men and he’d been married to Mariah Carey. My “Spidey senses”—what my dad calls it when you’re on high alert—were in full gear. I was determined to nail the performance, and I did! After I finished my song, Tommy complimented my voice and sense of melody, then followed the praise with this: “I think you’ve got what it takes to make it in this industry, but in order to do so you have to jump into the pool.” I dove in headfirst and almost four years later exactly, I’m still working on getting a platinum record of my own up in Mr. Mottola’s office.
Believe me, it’s easy to get discouraged in this business but I try to remind myself that success is not the result of one big opportunity seized. Remembering that helps me stay patient and it also reminds me that my work is never finished. Having the chance to meet Tommy Mottola is something that I’m so grateful for and, trust me, I wasn’t expecting him to sprinkle some magic dust on my head and make me an instant country music star. That’s not what I wanted as an artist, either. Our meeting, though, did lead to an introduction to James Stroud, my producer and label head. Through James, I’ve been given even more opportunities, and so on. Had I released an album in the projected amount of time—6 months after moving to Nashville—I probably would have set myself back as an artist. There are only so many first impressions one can make, and I’m not sure I was prepared to step out with my first album three and half years ago. In hindsight, I’m lucky to have had the time to grow and to find exactly what it is I want to say through my music. The album I’m about to release this year will be entirely different than the album I would’ve released just a year ago, and even more different than the one I will release in another few years because I’m constantly evolving.